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  • Events: Reports

    Giorgio Bassani’s 100th Anniversary in New York


    Giorgio Bassani was a novelist, poet, critic and public intellectual, whose influence continues to grow internationally. In his works, among them the Garden of the Finzi-Continis, he chronicled Italian life under fascism and beyond. His unique literary voice was recognized in the On the occasion of the 100th anniversary of the birth of the Italian writer Giorgio Bassani, Centro Primo Levi and the Italian Cultural Institute of New York will present a new volume of lectures and interviews that Bassani gave between 1966 and 1972: New York Lectures and Interviews, by Giorgio Bassani, CPL EDITIONS, 2016.


    The event will take place on May 10th, 2016 at 6:30 pm, at the Italian Cultural Institute, 686 Park Ave, New York, NY 10021 and will feature Giorgio Van Straten, director fo the ICI, Dalia Sofer (writer), Andrè Naffis-Sahely (poet and translator), and the writer’s daughter, Paola Bassani. AdmiUS among others by Harold Bloom, who included his late novel The Heron in his The Western Canon.


    Bassani portrayed the city of Ferrara and its inhabitants, with extraordinary insight and clarity. Both place and people are immersed in an abstract dimension relating to the late 20th-century crises of dislocation, solitude and personal anguish.


    As an editor for the publishing house Feltrinelli, Bassani was instrumental in recovering the manuscript of one of the greatest Italian novels, Giuseppe Tomasi di Lampedusa's Il Gattopardo (The Leopard), which had been repeatedly rejected by major publishers in the 1950s.


    During the 1960s and 1970s Giorgio Bassani spent considerable time in the United States, as president of the ecological association Italia Nostra, overseeing the translation of his works and most notably teaching at American colleges and universities. The lectures and interviews contained in the new volume published by CPL Editions in collaboration with the Italian Cultural Institute and the support of Fondazione Giorgio Bassani, were originally given at the Italian Cultural Institute on Park Avenue. ##


    For additional information contact: info@primolevicenter.org or visit: www.primolevicenter.org and www.iicnewyork.esteri.it

     

  • Events: Reports

    Americans in Love with Italy: The Cinema Connection.


     

  • Events: Reports

    What the Allies Knew


    While it has been generally accepted that the world learned about the mass murder of the Jews only in the wake of the final victory of the Allies in 1945, research has determined that information about these mass killings began to circulate as early as 1941, and that – by 1942 – leaders of the democratic world, as well as the Vatican, had extensive knowledge of the extermination project.


    In England and the U.S., the media had been reporting for years on the mounting attack on Jewish rights, culture, property, and individuals. Political leaders and the press kept the events under the radar, but made a clear distinction between the dangerous development of Fascist and Nazi politics and the plight of the Jewish minority.
     
    When the flow of refugees from Europe caused nations to question the international order and immigration policies, some relief was sought through the Evian conference; but this established only that very little could be done. The countries that could potentially receive the Jews who were being expelled from Europe were primarily concerned about their own economies and social unrest.
     
    Jewish refugees became pawns in each European country where they managed to arrive, as well as in the farther lands where the luckiest ones were permitted to enter. These refugees (who were bereft of everything, and whose only ambition was to survival) often became assets to exploit militarily, politically, and economically. Those who did not succeed in leaving Europe were – in many cases – destined for death.
     
    The long story of international indifference over the persecution and – later – the extermination of the Jews depended not on lack of information but on a broader set of factors including the fact that people – both leaders and the public at large – had never experienced totalitarianism and its radical alteration in the relationship between government and its citizens.
     
    Our attempt to understand the experience of persecution during World War II resonates in part with current political situations. Today, citizens at all levels of society hear of world events as they happen. Violence, refugee crises, and war unfold before everybody’s eyes.
    Yet the challenges of intervention remain, or are at least similarly divorced from the knowledge of facts. A panel of historians, media experts, and human-rights scholars will discuss the question of intervention in support of Jewish refugees and against the extermination project, as well as the ways in which that experience informed – or failed to inform – democratic societies in the post-war era.



     
    Film Screening

    What the Allies Knew


    A documentary film written and directed by Virginie Linhart and produced by Fabienne Servan-Schreiber and Cinétévé. Historical supervision by Henry Rousso, author of The Vichy Syndrome (Harvard University Press) and Director of Research at the French National Centre for Scientific Research.


     
    Through the analysis of declassified records and media excerpts, What the Allies Knew challenges accepted assumptions about the motivations and possibilities of humanitarian intervention. Roosevelt, Churchill, Stalin, and De Gaulle opposed and put an end to the Fascist and Nazi regimes, but the information available to them on the destruction of European Jewry did not spur a plan to stop the massacre.
    After General Eisenhower faced the horror of Jewish genocide at the Ohrdruf concentration camp (a sub-camp of Buchenwald), which he toured on April 12, 1945, he ordered that all soldiers who were not indispensable on the front should see the camp in order to know what they were fighting for. Meanwhile, he sent a cable to London and Washington asking for official delegations and journalists to visit as soon as possible. In the following days, the first filmed footage of these atrocities was shown around the globe. The publicity surrounding Eisenhower’s visit reinforced the reassuring thought that “We had no idea of the concentration camp mechanism set up by Hitler’s regime.”
     
    The Nuremberg Trials further reinforced the idea that only the murderous madness of the Nazis could explain the massacre of six million European Jews during the war. Though Western nations began to enact legal and political concepts and mechanisms to prevent future genocides following the war, they rebuilt themselves on the notion that the extermination of the Jews had been carried out in secret and could have not been prevented.
     
    When, 50 years later, London and Washington lifted the administrative and legal barriers around their classified documents, it became clear that the analysts of these coded messages knew much more, back then, about the functions of the Order Police in the Eastern territories than historians understood in the decades following the war. In 1999, the Nazi War Crimes Disclosure Act gave access to classified American war archives. Some eight million documents on the war and on Nazi crimes came out, producing a radical change in the perception of the Allies’ response to the extermination.
     
    For Western democracies, the contradiction between humanitarian values and intervention against the Jewish genocide raises difficult historical, political, and ethical questions. Who knew what, and when? Could the Allies have saved some of the six million European Jews who died at the hands of the Nazis? What caused the renunciation of humanitarian intervention in the extermination camps? Is morality a luxury in times of war?
     
    The film covers the period between 1941 and 1945, and is structured around four key periods: After the Wehrmacht invaded the USSR in 1941, the first information about Jews being systematically executed by SS death squads reached Stalin and then the Western Allies. Then reports of extermination in the gas chambers began to circulate. In 1942, there could have been no doubt about the genocide perpetrated by the Nazis in Eastern Europe. The third chapter of the film retraces the rescue attempts initiated by Roosevelt and the War Refugee Board under pressure from American public opinion in 1944. The final part draws upon documents and photographs to examine why the Allies ruled out bombing railway lines and the Auschwitz camp while 450,000 Hungarian Jews were being exterminated, something which was by then fully known.
     
    Avoiding the classical documentary format of witnesses and experts, the film is entirely constructed of archival footage accompanied by historiographical narrative. By juxtaposing film footage of the Allied leaders and photographic stills from the extermination machine, readings of official documents and readings of the personal correspondence of Jews trying to flee Europe, it conjures the dilemmas, obstacles, and challenges that ultimately led to the demise of a coordinated humanitarian intervention. Evidence of what information circulated are presented by year and include the first notes from the British secret services to Churchill during the summer of 1941 revealing how many Jews had been shot by the SS death squads; a note addressed to General De Gaulle in London on how the extermination of Jews in France was being organized; a telegram dated August 1942 from Gerhard Riegner to Stephen Wise, President of the American Jewish Congress in the USA, which confirmed how the extermination of the Jews was set up “in order to resolve, once and for all, the Jewish question in Europe.”

    Centro Primo Levi is a New York based organization inspired by the humanistic legacy of writer and chemist Primo Levi and is dedicated to the discourse on history and memory in modern societies. CPL’s programs, research and publications focus primarily on Primo Levi’s work, the history of fascism and Italian Judaism. Under its publishing branch, CPL Editions, CPL offers an online monthly as well as classic and new books that would not be otherwise available to English language readers.



    Co-sponsors: Italian Academy at Columbia University ; Columbia's Alliance Program, Maison Française , and the Cultural Services of the French Embassy


    Registration is required >>

    5:30 pm
    Italian Academy at Columbia University, 1161 Amsterdam Avenue.  Reception



     

  • UNICO National Supports Major New Book on Italian American History


    With chapters written by three dozen nationally and internationally renowned scholars, this monumental new history of Italian Americans is scheduled for publication next year. 


    The editors have decided to arrange and organize the essays into the following categories: “Explorations and Foundations,” “Mass Immigration and Creating Little Italies,” “Becoming American/Contesting America,” “Postwar to Post-Ethnic?”  The volume will include a visual essay “Italian Americans in Action,” that will present over 100 years of Italian American culture in historical photos.  The book promises to be the standard history and reference book for scholars, students and the general public for the next generation. 

    UNICO National is a major Italian American organization. Its mission is:  “To promote and enhance the Image of Italian Americans; for members to be of service to the community; to promote Italian heritage and culture; to promote, support and assist charitable, scientific, cultural, educational, and literary projects; to promote members’ interest in public welfare; and, to cooperate with others in civic, social and cultural development.” See their website at www.unico.org


    Routledge, founded in 1836, is the world’s leading academic publisher in the Humanities and Social Sciences, publishing thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.


    William J. Connell is professor of history and holder of the Joseph M. and Geraldine C. La Motta Chair in Italian Studies at Seton Hall University, where he was Founding Director of the Charles and Joan Alberto Italian Studies Institute.  A specialist in Renaissance and Early Modern Italy, his books include La città dei crucci: fazioni e clientele in uno stato repubblicano del ʼ400; a major translation of Machiavelli’s Prince; Sacrilege and Redemption in Renaissance Florence (with G. Constable); and Anti-Italianism: Essays on a Prejudice (ed. with Fred Gardaphé).  He has been a Fulbright Scholar, a Harvard/I Tatti Fellow, and a Member of the Institute for Advanced Study, Princeton.  He is working on a new book titled Machiavelli’s Utopia


    Stanislao Pugliese is professor of modern European history and, the Queensboro UNICO Distinguished Professor of Italian and Italian American Studies at Hofstra University. A specialist on the Italian anti-fascist Resistance and Italian Jews, Dr. Pugliese is the author, editor or translator of a dozen books on Italian and Italian American history, including Carlo Rosselli: Socialist Heretic and Antifascist Exile (1999); and Bitter Spring: A Life of Ignazio Silone. Professor Pugliese is currently working on a new book tentatively titled Dancing on a Volcano in Naples: Scenes from the Siren City.
     
     
     
     
     

  • Facts & Stories

    UNICO National Supports Major New Book on Italian American History


    With chapters written by three dozen nationally and internationally renowned scholars, this monumental new history of Italian Americans is scheduled for publication next year. 


    The editors have decided to arrange and organize the essays into the following categories: “Explorations and Foundations,” “Mass Immigration and Creating Little Italies,” “Becoming American/Contesting America,” “Postwar to Post-Ethnic?”  The volume will include a visual essay “Italian Americans in Action,” that will present over 100 years of Italian American culture in historical photos.  The book promises to be the standard history and reference book for scholars, students and the general public for the next generation. 

    UNICO National is a major Italian American organization. Its mission is:  “To promote and enhance the Image of Italian Americans; for members to be of service to the community; to promote Italian heritage and culture; to promote, support and assist charitable, scientific, cultural, educational, and literary projects; to promote members’ interest in public welfare; and, to cooperate with others in civic, social and cultural development.” See their website at www.unico.org


    Routledge, founded in 1836, is the world’s leading academic publisher in the Humanities and Social Sciences, publishing thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.


    William J. Connell is professor of history and holder of the Joseph M. and Geraldine C. La Motta Chair in Italian Studies at Seton Hall University, where he was Founding Director of the Charles and Joan Alberto Italian Studies Institute.  A specialist in Renaissance and Early Modern Italy, his books include La città dei crucci: fazioni e clientele in uno stato repubblicano del ʼ400; a major translation of Machiavelli’s Prince; Sacrilege and Redemption in Renaissance Florence (with G. Constable); and Anti-Italianism: Essays on a Prejudice (ed. with Fred Gardaphé).  He has been a Fulbright Scholar, a Harvard/I Tatti Fellow, and a Member of the Institute for Advanced Study, Princeton.  He is working on a new book titled Machiavelli’s Utopia


    Stanislao Pugliese is professor of modern European history and, the Queensboro UNICO Distinguished Professor of Italian and Italian American Studies at Hofstra University. A specialist on the Italian anti-fascist Resistance and Italian Jews, Dr. Pugliese is the author, editor or translator of a dozen books on Italian and Italian American history, including Carlo Rosselli: Socialist Heretic and Antifascist Exile (1999); and Bitter Spring: A Life of Ignazio Silone. Professor Pugliese is currently working on a new book tentatively titled Dancing on a Volcano in Naples: Scenes from the Siren City.
     
     
     
     
     

  • Fatti e Storie

    E se vuoi fare il giornalista...


     

  • Events: Reports

    THIS WEEKEND on i-ItalyTV/NYC Life Italy, Art & the City


     

  • Facts & Stories

    The New Ambassador of Italy to the U.S., Armando Varricchio, presented his credentials"


    In a very cordial meeting which took place in the Oval Office, I emphasized that I am going to carry out my mandate with great commitment and determination. The strong bond of friendship and shared values between Italy and the United States is essential to enhance the welfare of our citizens and to promote peace, democracy and the defense of rights.
     
    President Obama recalled in the strongest terms the recent friendly meeting with President Mattarella in the White House and the close collaboration with Prime Minister Renzi on the most important issues on the international scene and on the global agenda."






     

  • Events: Reports

    Italian film Perfect Strangers @ Tribeca Film Festival

    Istituto Luce-Cinecittà returns once again to the Tribeca Film Festival (presented by AT&T, New York, April 13-24, 2016), with the Italian film (most recent box office success in Italy) Perfetti Sconosciuti (Perfect Strangers) directed by Paolo Genovese, as part of the International Narrative Competition. 

    Perfetti Sconosciuti (Perfect Strangers) is a narrative, and bitter ensemble comedy, which follows a group of old friends who meet for dinner, a dinner that is destined to head into a downward spiral. Social media games are proposed for evening fun and cellphones are placed on the table and all bets are off, as the games begin. The word game is perhaps the most important of all, as everyone thinks that this type of game playing is "fun" and instead new "communication facilitators" - chat, whatsapp, email, sms, selfies, app, t9, skype, social - can reveal the most dangerous secrets among friends. The superficiality of it all with which they entrust their secrets from their smartphones and the modern belief that one does not pay the consequences or, even worse, flirting with those consequences to make these games even more exciting is the point surrounding this film.

    Director Paolo Genovese explains “The idea was to sketch out that secret life we cannot come clean about, up until 20 years ago, our secrets were kept inside us; today, they are buried in our mobile phones, which have become a little bit like our black boxes.”

    Director Paolo Genovese tackles a subject important to these times, when social media has entered into fragile territories and affects almost everyone's lives. His film marks the rebirth of the "intelligent comedy" and already got a very successful turnout at the box office in Italy. 

    Perfetti Sconosciuti is produced by Lotus Production and Medusa, which is also in charge of domestic distribution.

    FilmItalia website >>>
     

  • Starbucks o non Starbucks, questo il problema !!!


    La multinazionale di Seattle, che ha reinventato il caffe e il "coffee shop" in America decide di aprire il suo primo negozio nel bel paese nel 2017 a Milano e subito l'opinione pubblica si divide in due. Ce la fara' o non ce la fara' Starbucks a conquistare l'Italia?


    L'apertura di Starbucks in Italia e' quello che definirei un effetto collaterale della globalizazzione moderna.

    La voglia di espansione dell'azienda americana è piu' che legittima, sia chiaro, quello che desta più interesse è vedere come reagirà l'Italia da sempre considerata la patria del caffè, o dell'espresso così come lo si chiama negli USA.


    La storia vuole che il fondatore di Starbucks si sia ispirato proprio ad un bar Italiano nell'aprire il suo primo punto vendita a Seattle.



    Come spesso accade, però, nell'attraversare l'oceano sembra che tante, troppe, cose siano cambiate. In Starbucks compaiono tante varianti non presenti nella tradizione Italiana (single, doppio, latte, tall, venti, grande, frappuccino and so on), scompare il consumo al bancone, scompare la tazzina di ceramica per far spazio a quella di cartone.

     
     

    Cosa succederà con l'apertura di un punto vendita in Italia? Starbucks promette rispetto per le tradizioni e un approccio umile. Sarà vero, ma ho i miei dubbi che la Starbucks cambierà il suo modus operandi. Servirà un espresso più' corposo e cremoso in una tazzina di ceramica bollente da bere al bancone come vuole la tradizione italica o servirà anche in Italia un caffè "annaffiato" in un bicchierino di cartone da portar via?


    Conoscendo un po il pensiero del "Corporate America" sono convinto che Starbucks proverà ad imporre la sua filosofia anche in Italia senza adattare la propria offerta al paese "ospitante" e allora la palla passa nelle mani degli Italiani. Cosa vincerà tra la spinta al cambiamento e il rispetto delle tradizioni nostrane?


    Personalmente, penso che Starbucks possa avere un discreto successo all'inizio legato per lo più alla novità, alla moda del momento, per poi diventare un rifugio sicuro per il turista americano in visita in Italia. Alla fine l'Italiano berra' di tanto in tanto un frappuccino al caramello, considerandolo forse una buona bevanda a base di caffeina, ma non penso andrà mai allo Starbucks per il suo appuntamento quotidiano col caffè.



    Se a Milano, la città forse più' europea d'Italia, Starbucks susciterà una certa curiosità, dubito invece che in città come Napoli o Roma, dove il caffè è un rito dalle sembianze religiose, riesca ad avere alcun successo se non in un pubblico di giovanissimi sempre a caccia di nuove mode da seguire per poi esaurirsi all'arrivo della prossima novità d'oltreoceano.

    Io quindi dico NO Starbucks perché la forza dell'Italia passa anche attraverso il mantenimento e la protezione delle sue tradizioni.


    Io dico NO Starbucks perché non concepisco il "double espresso".

    Io dico NO Starbucks perché chiama "Tall"(alto) il formato più' piccolo tra i tre disponibili.

    Io dico NO Starbuck, semplicemente perché non mi piace. Punto e basta.


     


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