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- “Living Sculpture,” in aluminum sheeting on view at The MET Breuer
- A detail of Marisa’s Turin studio, photographed last year. Two of her recent works are visible. Photograph by Renato Ghiazza, courtesy the artist and Fondazione Merz
- Beatrice, Mario and Marisa at the 37th Biennale di Venezia in 1976. Photograph by Giorgio Colombo, Milan; courtesy the artist and Fondazione Merz
- "Living Sculputers" (1966). Ahead of an exhibition at the Met Breuer celebrating the artist Marisa Merz’s five-decade career;
- “Bea,” by Marisa Merz
- It’s not possible to associate Marisa Merz with any artistic avantgarde. There’s a lot of ambiguity regarding how involved she felt in the sphere of Arte Povera, even though she participated in some shows with her husband Mario
- “Altalena per Bea” (“Swing for Bea”, 1968), that Beatrice and her friends would play with. Credit Photograph by Paolo Pellion, courtesy the artist and Fondazione Merz
- “Testa (Head),” a sculpture (1984-1995)
- Curator Ian Altveer during the interview with i-Italy at The MET Breuer